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On Writing

Filtering by Tag: publishing

Writing: The Great Escape

Stephen H. Provost

Over the past five years, I’ve written nearly a dozen freestanding books of various lengths, a couple of short stories, dozens of newspaper columns and more blog entries than I can count.

Why do I do it? Why pursue an occupation that many find daunting to consider and grueling to pursue?

Because I can? No, because I must.

I don’t have any choice. “Writer’s block” to me is nothing more than an excuse not to get started (most often) or not to continue (occasionally). It’s a phantom menace, the voice of the wolf inside my head that I don’t feed very often because the other wolf is a lot hungrier.

George Orwell posited that, putting aside the need to earn a living, there are four great motives for writing prose:

Sheer egoism: “Desire to seem clever, to be talked about, to be remembered after death, to get your own back on the grown-ups who snubbed you in childhood, etc., etc.”

Aesthetic enthusiasm: “Perception of beauty in the external world, or, on the other hand, in words and their right arrangement.”

Historical impulse: “Desire to see things as they are, to find out true facts and store them up for the use of posterity.”

Political purpose: “Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after.”

Guilty on all counts. Orwell’s “1984” left a lasting impression on me as a young adult, both for its creativity in fashioning an alternate universe and for its insights into the human condition.

I share each of the four motives he mentioned, but all of them together aren’t what keeps me writing. One thing does: Like Orwell, I’m able to create an alternate universe. And, to be blunt, I like it better there.

New worlds, old worlds

Novelists create new worlds; writers of non-fiction revisit old ones. I’ve had the privilege of doing both. As an author of paranormal fantasy/science fiction, I get to imagine what life would be like if the rules were different, if the world were more vibrant, if the challenges less mundane and the means of answering them more noble. Who wants to worry about paying bills, going to the doctor or attending some pointless meeting when you can imagine yourself slaying a dragon – or, far better yet, befriending one?

As an author of historical nonfiction, I get to travel back in time and visit worlds that have passed into memory. I wrote a book about my hometown as it was during my childhood and another about the history of a long-traveled highway. Sorry, H.G. Wells, but I don’t need your time machine. I can research and write my way back into a world that might otherwise have passed to oblivion. Talk about power. Talk about responsibility.

It’s not that I don’t like this world. I have a wonderful wife, two stepsons who are maturing into proverbial “fine young men,” a father who loves me and two cats who provide unconditional affection (they do demand a bowl of kibble and a rub behind the ears, but that’s beside the point). I live in a beautiful town where I don’t have to choose between the beach and the forest and the foothills, because it’s got all three. What’s not to like?

In response, I refer you back to the earlier reference to bills, health concerns, meetings … you get the picture.

I write because, in doing so, I can escape such mundane concerns. I write because I have the audacity to believe that I can create a world more exciting, more honorable, less bitter and less tragic than the one in which I live. A world where whimsy and nostalgia vanquish bigotry and heartache and disease – maybe not every time (a good story has to have conflict, after all), but enough to keep hope alive that I’m headed for a happy ending.

Writer's Paradox

There have been times in this life when I’ve lacked that hope, and it was then that I started writing, first in the angst of teenage isolation, then in the aftermath of job loss and divorce. I suppose that means there’s something to the old cliché about affliction stoking the fires of creativity, which makes this musing something of a paradox: Torment set my pen in motion, a chariot upon which I can escape that self-same torment.

But that paradox no longer matters. I’ve fallen in love with writing, and now that life is good again, I’m not about to quit. This is one of those “till death do us part” things, with one singularly fascinating caveat: My writing will survive me, and will carry a portion of me into the afterlife of the printed page.

That’s something Orwell touched upon in his nod to egoism: Writing offers a taste of immortality achieved through memory preserved – of "memortality," if you will. (I like how that sounds.) And though it’s a taste and nothing more, it’s enough to whet the appetite for what lies beyond. In the next line, on the next page, in the next chapter.

To visit worlds where I’d like to live – and worlds that will outlive me.

This is why I write.

This is why I’ll never stop.

7 Tips for Becoming a Successful Author

Stephen H. Provost

What does it take to be a successful author? First, you might want to ask yourself what it means to be a successful author. Since writing's about communication, Job One is to communicate with your reader. If you can do that, everything else is likely to follow: good reviews, a publisher and yes, maybe a few extra dollars. But ignore those things when you're writing or you'll never get there. To get you started, here are seven tips on how to go about it. 

1. Know your craft.

You can't write a book if you don't know how to write a sentence. Don't tell yourself, "The editor will fix that." Two simple facts: No editor will know or care as much about your work as you do. If you use your editor as a crutch, it means you're limping along, and you need to be in the best shape of your life to do this. If your editor is anything but a last line of defense, you're using him/her wrong. You are the expert on your story, so act like it. Care enough to understand language and how to use it. This doesn't mean following your eighth-grade English teacher's rules religiously. Dialogue, for example, should be true to your characters - the rules of grammar be damned. But here's Tip A1: You need to know the rules so you can know when to break them. 

2. Think like a journalist.

Yes, some journalists get lazy and rely on a "paint by numbers" approach to writing. Too often, they fall into the habit of relying on the same clichés passed along to them by police chiefs and public information officers. But they have one advantage most other writers don't: a hard deadline. They can't take the day off because they have "writer's block" or feel like sleeping in. They can't tell their editors they "don't feel like writing today." I asked bestselling author John Scalzi how his background in journalism helped him in his career as an author. This was his answer: The deadlines he faced gave him the discipline to write consistently.

3. Inhabit your world.

Remember when Chevy Chase blindfolded himself in "Caddyshack" and hit the golf ball onto the green? Maybe you don't. (After all, the movie came out in 1980.) His character's advice was to "be the ball." This doesn't mean you should blindfold yourself while you're writing. That probably won't work too well. But it is a good idea to block out distractions and put yourself in the middle of the action. Imagine you're the protagonist or, if you're writing nonfiction, one of the people affected by the events you're describing. The more you're a part of the story, the more invested you are; the better you can describe what's happening and, even more important, the what the characters are feeling. If you like living in your world enough to stay there for eight hours straight writing about it, chances are your readers will, too.

4. Write conversationally.

This is not the same as "writing the way you speak." If you were to do that, the result might not even be coherent. You're a storyteller, so tell a story. Spin a yarn. Don't write a thesis or a form letter. You're not trying to impress people with your vocabulary or talk down to them like a second-grade teacher. You're trying to grab and keep their attention. If you start writing like a bureaucrat or a textbook writer, no one's going to want to read your stuff. Even other bureaucrats fall asleep reading small print, and students have to read textbooks, but they don't want to, do they? Reading should be fun, so have fun with your writing. Your attitude will come through.

5. Don't write a memoir.

Seriously. Is your name Oprah Winfrey or Michael Jordan, Kennedy or Reagan? If not, most people probably aren't going to want to read about your life. Even if you're the best writer since Stephen King, few people outside your immediate family will want to read about the time your Aunt Mabel fell asleep in her mashed potatoes at Thanksgiving dinner when you were 7. Nothing against you or your Aunt Mabel, but subject matter matters. Readers want something they can relate to (yes, that's a dangling modifier, but see Tip 1A). Too many writers use the tired admonition to "write what you know" as an excuse to write about their own lives. The trick is to infuse your writing with what you've learned from your experiences, not relate those experiences verbatim and call them a story.

6. Write like an explorer.

What's around the next bend, over the next hill? Write like you can't wait to find out, and you'll give your readers that same passion for your story. You've heard the advice to "write like a reader," which is good as far as it goes. But go further. If you're reading a good story, you'll want to be an explorer, too. The writing will pull you along, and you'll be eager to turn the page to find out what happens next. Write with that same desire, with a passion to learn about your characters and the world you're describing; your readers will pick up on that and go along for the roller-coaster ride.

7. Write with abandon.

Be fearless. Don't worry about what happens if your manuscript doesn't sell. There aren't agents or publishers, queries or rejection letters in the world you're creating for your readers. You can be whoever you want to be, and that's the beauty of it. Your last book didn't catch on? So start the next one (you should have started it already). Stop thinking about your boss' demands, your favorite video game, the dirty dishes, your Facebook friends or the big game on TV. The minute you pause to let the "real world" intrude upon your creative process, you'll lose the flow and find yourself out of the zone. That zone is your gateway to success.